I’ve always been drawn to the way things come together—how different cultures, elements, and ideas collide to create something new. Growing up between New York and Taiwan, I was constantly shifting between worlds, absorbing contrasting aesthetics, traditions, and philosophies. This fluidity has shaped the way I see and create.

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My education at Parsons School of Design in New York gave me a foundation in fashion and creativity, teaching me how materials, construction, and visual language shape our perception of the world. But it was in Venice, Italy, through my studies in curatorial practice and contemporary art, that I truly began to understand art’s historical weight, conceptual depth, and ability to challenge and redefine narratives.

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My work is not about preserving boundaries but breaking them down—between art and fashion, tradition and modernity, past and present. I deconstruct and reconstruct ideas and materials, allowing objects and images to transform beyond their original meanings. Whether turning discarded materials into something visually striking or fusing unexpected elements to challenge perception, my practice questions what is valued, what is forgotten, and what deserves to be reimagined.

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I believe art should reflect movement—cultural, aesthetic, and personal. It should capture shifts in time, identity, and meaning. Through my work, I want to engage with these transitions, inviting viewers to see not just what is in front of them but what lies beneath—the histories, the fractures, and the possibilities of reinvention.